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Inner cover, Re-visioning Silk Through Amami Ōshima, Lisa Onaga and Anne McKnight, eds.

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Before & after, or before & after? Raw silk, 14 Jan. 2019.

The latest addition to my study of Amami Ōshima tsumugi has arrived! The browns can achieve a near-black tone that comes from a plant known as 車輪梅 in Japanese (Teichigi in the Amami language; Raphiolepis genus) and fixed in mud (泥染め). Warp and weft are both meticulously dyed in advance of setting the silk threads on the handloom. The laborious method resulting in the detailed pattern is known as double ikat. @annekmck hope you had a good trip to Amami! Our work goes on!

Human hair wishes to be close to silk. Here’s a tiny close-up of human hair embroidered on silk velvet. Untitled triptych, “Yellow Velvet #1”, by Lee Bul (and her hair). “Crash” exhibit at Martin Gropius Bau, 2 Dec. 2018. @laura4lano

This is what emptied silk cocoons sound like when you drop them into a plastic bowl filled with more cocoons. They remind me of ping pong balls, but with less bounce-back. A sideshow at the MEK 100 Prozent Wolle exhibit, 30 Nov. 2018. @lowengard2

Sheep wools at the “100 Prozent Wolle” exhibit at the Museum Europäischer Kulturen. Great way to spend a very rainy afternoon.

Thoroughly enjoyed brushing up on oral history research methods and discussing how oral history interviews can bring forth fresh perspectives in histories of science and technology. Thank you Indira Chowdhury @SrishtiArtDes for the incredibly thought-provoking Methods Intensive Masterclass and Workshop! 25-26 Oct. 2018. (Slide images are from the Tata Institute of Fundamental Research Archives.)

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